“Red Clay and Roses” is about to make its paperback debut. Having existed in ebook form since March, I am told by many people my age and older, (especially my Nursing friends) that they would like to have it in paperback. For that reason, I have this project near completion. I especially would like to hear from people who have read the book or are currently reading it.
There have been challenges to getting this accomplished. Most of these have been overcome and it is almost time to upload the cover image. I have had some cover image issues which I need to speak to you about.
First, when I published in March, I had no clue about the seriousness of publishing. I did not have a blog and most of what I learned, I learned through my independent publisher.
Second, I had not secured a professional cover image artist, and did not know the significance of doing so.
Finally, I knew the story and worked off of what I knew rather than fitting a genre or appealing to an audience. The story has at least three distinctive tragedies described.
That having been said, I will show you the original photo that I worked with for the cover, and tell you why I chose it. I will also show you the evolution of this cover. My daughter and I took a photo of an angelic cherub that someone had placed by a rose bush we had planted in a garden in a public place. Pink roses have an enormous significance in our family as explained in this post. Mother’s Day Memories. We planted the rose bush in remembrance of a lost loved one. In my book, “Red Clay and Roses”, this is explained briefly. I also planted a pink rose bush in memory of a character in my book, beside which, I had placed an angelic cherub, which is also described in the book. Another point about the story has to do with the character, Beatrice, who is haunted by fairy babies and dark angels in an ominous set of delusions and hallucinations. Her husband was an illegal abortionist. Roses are also a repetitive theme throughout the book. Here is the evolution of the cover in picture form: (you can click on these to get a better image in a slideshow of sorts)
“Red Clay and Roses” is a non-fiction novel. It is a faction, if you will, a fictional account of a true story. The setting is a small town, LaGrange, GA, and is very real. The characters in the story, although most of the names were changed, are also very real. The story line is not one that I could change.
Southern fiction is often very cute with Grandma baking biscuits in the oven, and Grandpa sitting on the front porch sipping sweet iced tea while the African American children play together with their white friends in the yard. It is often colored with humor.
“Red Clay and Roses” is not like that at all. It is a story filled with angst and tragedy. It is the reality of the 1950s and 1960s era and the dilemmas faced by people of color and the racial tension they endured. It is a story that examines what life was like before Jim Crow Law was repealed and no longer enforced, the LAWS that PREVENTED blacks and whites from legally mingling publicly in the Old South. It is also a story which describes the reproductive rights and responsibilities of women in a world before Roe Versus Wade. The story is not pretty, not cute, and not humorous. Real life rarely was for many people during that era. For that reason, it is often an untold story. It is one worth remembering.
The book description follows:
“Red Clay and Roses is a fictional account of a true story that speaks to the human condition of life in the Deep South during a time before Jim Crow Law was abolished and Roe vs. Wade. The discovery of an old ledger opens a window into life in a time when women were supposed to keep quiet and serve, abortion was illegal, adoption difficult, and racism rampant. Mystery, rape, murder, drama, and forbidden love meld as the origin of the ledger unfolds.
Althea, a young colored girl, is brutally raped. Althea’s tragedy leaves her family silent and mournful, and her brother, Nathan, looking for answers from a community that is deaf, blind and dumb. Nathan is affected for the rest of his life. A brief summer romance between Nathan and Sybil, an independent, high spirited white woman in the 1950s, leaves more unresolved grief.
Nathan becomes directly involved in the Civil Rights Movement and Sybil is torn between living the mundane life of her peers or a life that involves fastening herself to a taboo relationship. The seeds of prejudice have been sown by a society that seethed with bigotry.”
I have had my cover art image criticized for not meeting the expectations of the genre Southern Fiction and was told it should not have a face and it should display something as mundane as a tree on the side of a dirt road. Or it should show a poor black girl in front of a shanty house or some other image that depicts southern poverty.
I have been told also, that the cover would best represent Historical Fiction if there were some way to see the angst of the era on the cover with, for example, an interracial couple in front of a white’s only diner, or a simple picture of the historical restaurant that they frequented in Atlanta.
Here are the images that were suggested to me for “Red Clay and Roses” recently by a Facebook Group: (again, you can click on these to see some of the images better)
So, what are your thoughts? Do I need to invest in another cover image now, before this paperback comes out, or am I good to with the one I have? The Facebook Group used words like: paranormal, horror, comical, unnatural, macabre, haunted, ghoulish, sinister, alarming, frightening, supernatural, eerie and terrifying, to describe my cover image and the feelings it evokes. Again, it is not a pretty story. It is painful, sad and dark. It is a harsh reality story.
I will add here that I want to stand apart from those hundreds of look-alike covers; The romances with the man and woman’s face about to touch, the lonely tree on a dirt road, the poor blacks. I also want to avoid anything that slightly exploits the black race. The whole point to the story is that we are all one human race.